Thursday, August 15, 2019
ââ¬ÅGood Peopleââ¬Â Essay
Love is one of the only words in this world that canââ¬â¢t be adequately described in words. Yet it is the strongest human emotion and most powerful force in the universe that conquers all, makes our lives worth living, and chooses our direction. In the two short stories the authors use their style, symbolism and point of views to best portray two different scenarios that both revolve around love. In ââ¬Å"Good Peopleâ⬠by David Foster Wallace 19 year old college student impregnates a girl heââ¬â¢d been seeing and is plagued with many uncertainties of life and love and is forced to make a difficult decision in the case of an abortion. In ââ¬Å"What We Talk About When We Talk About Loveâ⬠by Raymond Carver two couples sit around a table and attempt to discuss which knows more about true love while they drink gin. In the end, they both share a common theme; that love is ambiguous. In the stories, the authorââ¬â¢s style of writing delivers the tones for which the ch aracters are feeling. Read more: Good people david foster wallace essay Effectively you also share some of the same emotions the characters are facing. In ââ¬Å"Good Peopleâ⬠there is a dense and intentionally clumsy style which adds to the storyââ¬â¢s depth to portray the uncertainty and anxiousness that Lane is feeling. This style greatly immerses you into the circulating mind of teenaged Laneââ¬â¢s ambivalence of his love, religion, and self. Wallace uses the means of a third person narrator telling the story to capture Laneââ¬â¢s struggle and introverted thoughts. It is when he first told his girlfriend Sheri that he would go to the appointment with her to console her that his guilt starts to eat away at himâ⬠¦ ââ¬Å"The worse he felt, the stiller he sat. The whole thing felt balanced on a knife or wire; if he moved to put his arm up or touch her the whole thing could tip over. He hated himself for sitting so frozen.â⬠(Wallace 891). In the other story the authors tone is one of a darker, more mature subject matter with a fee l of ââ¬Å"dirty realismâ⬠. Carver uses mainly dialogue to tell the story in a way that feels like an ordinary conversation but at the same time pries deeper into the unpleasant truths of the mundane world. Half way through the story, Mel makes a comment which changes the direction from the casual to the more dense subject matter. ââ¬Å"And the terrible thing, the terrible thing is, but the good thing too, the saving grace, you might say, is that if something happened to one of us tomorrow, I think . . . the other person, would grieve for a while,à you know, but then the surviving party would go out and love again, have someone else soon enough.â⬠(Carver 852) In the first story, Lane is constantly beating himself up and questioning himself of whether or not heââ¬â¢s making the right decision throughout the story at every turn. He even asks ââ¬Å"What would even Jesus do?â⬠(Wallace 893), revealing that this dilemma is one too complex for a mere human to make a proper judgment. The story is almost one long repeated question, where at the end even still the answer isnââ¬â¢t definitively answered. In the second story, Mel stumbles over his words often when discussing ââ¬Å"loveâ⬠not from the gin but from the complexity of pinpointing the meaning of love. When he tries to come to a coherent conclusion to the meaning of love he instead digresses into a convoluted meditation and becomes angered in trying to wrap his head around it. He too looks towards a higher power for guidance due to a lack of comprehension. Symbolism comes into play within these two stories where the adequacy of words isnââ¬â¢t enough. It gives more depth to the stories without being too blatantly obvious, keeping the reader thinking. In ââ¬Å"Good Peopleâ⬠there is symbolism carefully hidden throughout which Lane notices but doesnââ¬â¢t quite seem to entirely pick up on, it is more there for the reader to make an inferred decision at the end. The geography around him and the lake are the symbols which apply to his life and relationship with God, himself, and Sheri. It is when they are both sitting on the picnic table at the park near the lake when after realizing he was unintentionally praying with his hands that he notices the lighting has changed and it resonates with him. ââ¬Å"â⬠¦everything seemed distinctly lit, for the circle of the pin oakââ¬â¢s shade had rotated off all the way, and they sat now in sun with their shadow a two-headed thing in the grass before themâ⬠(Wallace 893). Likewise in the second story, symbolism is used for the same reason to enhance the plot, except in a more negative way. When the story begins the bottle of gin is full and the sun is bright and everyone is in a great and giddy mood. As the story progresses, the bottle of gin diminishes along with the brightness of the sun, leaving them at the end with a complex and increasingly dark conversation figuratively and a dark room literally. ââ¬Å"Heââ¬â¢s depressed,â⬠Terri said. ââ¬Å"Mel, why donââ¬â¢t you take a pill?â⬠ââ¬Å"Listen,â⬠Mel said. ââ¬Å"Letââ¬â¢s finish this fucking gin. Thereââ¬â¢s enough left here for one shooter allà around. Then letââ¬â¢s go eat. Letââ¬â¢s go to the new place.â⬠(Carver 853) Mel sees finishing the bottle of gin as a way to finally end the conversation brought up on love and get him out of the frustration that the conversation had provoked within him. In this story the sun set and the gin was all drank yet th ey still hadnââ¬â¢t been able to conclude the true meaning of love from a relationship standpoint. In ââ¬Å"Good Peopleâ⬠the symbolism leads me to decide that Lane didnââ¬â¢t go through with the abortion, however in the end the two are still unsure whether or not things will work out for them and if it was the smart choice. The personal point of views of the authors feelings on love are reflected through the mediums of the characters in their stories. For example, in ââ¬Å"Good Peopleâ⬠Lane is a kid who is struggling with the challenge of understanding his place in the world and is constantly questioning the unknown. He wants to think of himself as a good person, but his skepticism of his belief in God, the questioning of his morals, and his ââ¬Å"loveâ⬠for Sheri weighs him down. Similar to the story, David F. Wallace was a writer known for taking the challenge of communicating what it meant to be human through writing whilst battling clinical anxiety and depression. When in deep thought, Wallaceââ¬â¢s personal views and struggles with the belief in God are voiced through Laneââ¬â¢s inner thoughtsâ⬠¦ ââ¬Å"He promised God he had learned his lesson. But what if that, too, was a hollow promise, from a hypocrite who repented only after, who promised submission but really only wante d a reprieve?â⬠(Wallace 894). Likewise in the second story, some of the rougher experiences of Raymond Carverââ¬â¢s life shine through directly in parallel to the story. Carver presents Melââ¬â¢s heavy drinking in an understanding way, the way that only one who has witnessed the inner workings of alcohol and how it unknowingly deteriorates oneself can. Mel represents Carver in the story, his second wife Terri represents Raymond Carverââ¬â¢s real second wife (Tess Gallagher) who had a first husband herself both in the story and in real life, only in the story his name was Ed and in life was (Larry Edward Gallagher). In the story Terri claims Ed and she loved each other, Mel claims she is wrong, but Terri persists despite the fact he hit her sometimes and was disturbed and shot himself. In real life, Larry was MIA in the Vietnam War as a pilot and must have meant a lot to his wife seeing howà she kept his last name. The bigoted representation of Ed in Carverââ¬â¢s story represents the jealousy he had of his wifeââ¬â¢s never ending love of her first husband. Carverââ¬â¢s first wife is also presented abstractly into the story. Carver had two kids with his first wife, (MaryAnn), who he later fought with and disliked. In the story MaryAnnââ¬â¢s name is Marjorie and he voices his dislike for her while still wanting to see his kids. As you can see the authorââ¬â¢s lifetime experiences greatly influence their perspectives which is presented and passed down through their works of literature. Both writers struggle to capture the meaning of love in their own sentimental ways, however neither come up with a definitive answer. How true it is today that love really is ambiguous no matter how well we try to capture it in its natural human habitat. No matter how many years go by or how technologically advanced a society we become, the question will always at its roots remain.
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